MMaxi Madeiraman

An old woman is sitting quietly in her chair. On the table beside her is a book. She is wearing a kind of two-piece: a black dress and matching coat trimmed with fur, which is draped elegantly over the chair. In her hand is a handkerchief. This type of costume was fashionable around 1640 but the large ruff and the cap with wing flaps were out-of-date by this time. Nevertheless, the older generation tended to ignore the whims of fashion and continued to wear these garments.


Ferdinand Bol (1616-1680)

The artist Ferdinand Bol grew up in Dordrecht. He learned to paint either there or in Utrecht under the artist Abraham Bloemaert. Later Bol worked for a period at the studio of Rembrandts in Amsterdam, before setting up as an independent artist in 1642. Bol mainly produced portraits and history paintings. At first his work resembled Rembrandt's, but after 1650 he developed a more colourful and elegant style. Bol received numerous commissions, including for the Amsterdam town hall and the Admiralty. After 1669 and his second marriage to Anna van Arckel, Bol, now a wealthy man, hardly painted anymore. His self portrait of the late 1660s is one of his last works.



Title
Elisabeth Jacobsdr. Bas (1571-1649), widow of Jochem Hendricksz. Swartenhont

Year
c. 1640

Artist
Ferdinand Bol

Technique
Oil on canvas

Dimensions
118 x 91,5 cm

Title The Peace Negotiations between Claudius Civilis and Cerealis

Year c. 1660-70


Standing on opposite sides of a demolished bridge are two warriors. They are negotiating across the divide. The man on the right is Cerealis, recognisable as a Roman from the standard with an eagle behind him. His men are pictured higher up. The man opposite him is Claudius Civilis, a Batavian. His followers are refreshing themselves in the river in the foreground. Fame (Fama) floats in the sky above. She is crowning the two leaders with laurel wreaths.