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Over the past few weeks we've been participating in an open-ended art-archive project, a fairly exhaustive attempt to document the multi-faceted idea' of the artist's atelier in all its manifestations. Conceived by two young artist-curators, Maxime Thieffine and Cécilia Becanovic, who together form L'Ambassade, L'Atelier (making of) was born out of a shared passion for collection. But here collection, normally the last term in the artistic production chain, becomes the motor for a new process, related to a perceived climate of overproduction (or reproduction), for which the atelier is both the subject and conceptual image. A somewhat modest art of classification, mobilization & montage of what is already out there', rather than a desire to add to the vast surfeit of works. But one which, collapsing onto a single plateau the two incommensurable planes of Holbein's Ambassadors, performs an anamorphosis of the archive through the skullwarp of multiple subjectivities. Rather than a space of production, the atelier becomes a moment of intense hesitation, reflection, gathering and regrouping of its own partly hidden forces. An intriguing process, the complexities of which are difficult to describe. Here we've limited ourselves to a short itinerary of four words that lie half-buried in the term itself L'ATELIER crystallised in four images
Photomontage bétonsalon/St Jerome in his studio (Graeme Thomson)
Originally published by Cluster, written by Graeme Thomson & Silvia Maglioni
Publié par betonsalon à 18:55:14 dans Atelier (making of) | Commentaires (0) | Permaliens
elles ont été prises en negatif automatiquement! 
Publié par betonsalon à 18:28:21 dans Atelier (making of) | Commentaires (0) | Permaliens
Publié par betonsalon à 18:12:32 dans Atelier (making of) | Commentaires (0) | Permaliens
Publié par betonsalon à 18:12:08 dans Atelier (making of) | Commentaires (0) | Permaliens
Publié par betonsalon à 18:11:32 dans Atelier (making of) | Commentaires (0) | Permaliens
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