Depuis le 04-05-2005 :
704447 visiteurs
Depuis le début du mois :
20238 visiteurs
Billets :
1614 billets
Infos Rapide ...
Has iTunes pushed "billions of dollars in revenue to Disney", and established
itself as a "de facto standard on college campuses" to the extent, "students
would rather use iTunes than free alternatives?"
Ars Technica says it has and iTunes is, "the best way to reach
consumers with music, movies, podcasts, and television," says the story.
That might apply to the relatively few (compared to what happens on the
p2pnetworks and other p2p community areas) people who actually buy from iTunes.
But it's unlikely it applies in a general sense. In fact, it'll be interesting
to see how things have shaken out in five years, say.
By then, hopefully, the entertainment cartels will have figured out which way
is up and the hundreds of millions of new people with web accounts will have
discovered blogs and tapped them for unspun, non-vested-interest corporate news
and information, as well as the hugely populace worlds of sharing and open
source and innovation and discovery where the corporations hold little, if any,
sway.
As things stand, the mainstream media are still the largest suppliers of
news, data and information, but thanks to texting, IM, chat, email, blogs, web
sites, and so on, their roles as THE means of communication are being
surplanted, and fast. The only way the continuing massive erosion of their power
will be stopped will be if somehow, the corporations are able to gain 100%
control of the internet, something they're striving for but which, fortunately,
will never happen. Their own greed will see to that.
Meanwhile, iTunes, which in 2007 actually has very little influence in the
larger scheme of things, may be one way to reach consumers, but it certainly
won't be the only, or even the best, way.
We don't mean to disparage Ars Technica. It's great, possibly the premier
non-corporate tech news site. But in this instance, we doubt if the assertion
that students would rather use iTunes than free alternatives, especially when
Napster is the one linked to, is accurate. And we especially doubt if iTunes has
been responsible for driving "billions of dollars in revenue" into Disney's
coffers, even though Apple and other vested interests would undoubtedly dearly
love it to be true.
According to AppleInsider, by late last year, Apple had, "sold nearly a
half million films through Apple Computer's iTunes store since announcing the
distribution deal a little less than two months ago.
"The sales figure, which amounts to approximately $4 million in revenue, was
announced during the entertainment conglomerate's fiscal fourth quarter
conference call with analysts and members of the media. Disney said it expects
movie downloads to generate $50 million in added revenue during the first year
of the program."
And as long as the younger generations are the ones coming up with the cool
ideas and the neat, new ways of doing things, as they've always done and always
will do (corporate attempts to penetrate schools with phony educational programs
notwithstanding), iTunes will never be the de facto standard anywhere.
But this isn't what the Ars Technica story is about. It's saying that perhaps
DRM (Digital Restrictions Management) consumer control will survive and if it
does, it'll probably be thanks to Apple.
It's all about control, says Ars Technica, and that's certainly correct. But
control of what, and by whom?
The story predicates its statements on the presumption that iTunes is all.
"With iPods commanding such a large part of the player market, and iTunes
integration so complete that it's the easiest option for new iPod owners in
search of more music, Apple can present the best case for DRM to the industry:
the success of the iTunes Store," says the story.
However, iTunes is very far from being the easiest option.
The daughter of a friend of ours got an iPod for Christmas. Her mother,
knowing our interest in such things, phoned to say her daughter, aged 12, had
figured out how to find free music downloads and get them onto her music player
without any help from adults. Her mother didn't, though, say if she'd had any
help from school friends.
In his call for help to get the ourTunes music sharing application upgraded
so it'll work with iTunes 7, "Some of
the music comes from the iTunes music store which, says Apple, has sold more
than 2 billion songs since its inception," says college student Justin Stanely.
But, he goes on, "by far the largest portion comes from the various p2p services
and networks, and downloading music and movies from them are daily activities
for many college students, to the disgust of the RIAA and MPAA.
"Within these huge networks lies a huge repository of music coming from every
possible source that's largely untapped."
In our humble opinion, that's the way it's been, that's the way it is now and
that's the way it'll continue to be as new people sign up and log on. The "huge
repository of music," and other materials, will grow larger and larger until it
becomes a universe unto itself, with all that implies, data, information and art
of all kinds. And it'll repesent a criticial mass - a paradigm shift.
DRM has been singularly unsuccessful in preventing the spread of the concepts
of open source or anything else, and that's in spite of the fact the cartels
have the power of the mainstream media, limitless financial resources, awesome
political clout, behind them in their efforts to destroy them.
p2p and sharing are here to stay, and DRM is incompatible with them.
"DRM is dying?" - asks Ars Technica. "Not while Apple lives."
http://www.p2pnet.net/story/10989
Since the inception of BitTorrent, file-sharing took on an element never seen
before in the annals of Internet history. Millions of individuals flocked to
their closest BitTorrent client and tracker, finally handing P2P technology a
decisive victory in the online copyright wars. But that victory was just one
battle in a much larger conflict; and one that still is raging to this
day.
Today, a core of online file-sharers is beginning to question their loyalty
to BitTorrent as the entity that is currently king of the P2P world slowly
transforms into an authorized distribution medium. Increasingly, an old relic of
the Internet has been rapidly developing into a mainstream and streamlined
solution for the needs of millions online file-sharers. This medium is known as
Usenet, or the Newsgroups, and holds the potential to derail the status quo of
the file-sharing community.
Download Speed Decisive Usenet Advantage
Those who've been part of the P2P community since the beginning will agree
that just about anything is faster than the networks of old. If the end user was
lucky, a 56K modem would top out at almost 6 KB/sec and that was blazingly
fast. A favorable moment on Napster would yield a 5 megabyte song in perhaps as
many minutes and life was good.
Then the broadband revolution kicked into high gear fueled largely by a
combination of falling prices and an insatiable demand for online entertainment.
Suddenly everyone was downloading at speeds of at least 80 KB/sec, while higher
end Cable users were blazing at over 1 MB/sec. Suddenly, entire compilations
were downloaded in a matter of minutes and movies were now a realistic
possibility.
To compensate for the movie demand, P2P networks began to rapidly evolve.
This demand helped fuel the creation of eDonkey2000, Overnet, Kad, and of course
BitTorrent. Within a short period of time, P2P networks had successfully adapted
to the ever-growing demand for bandwidth.
A relatively minor player at the time, Usenet (or the Newsgroups) was still
used by a good portion of the Internet community. The reason for its usage was
the advantage of unmitigated speed. While P2P networks were adapting to the
surge in demand for large files, Usenet already had the capability to
accommodate this need. Unlike P2P technology which depends on peers for download
reliability, Usenet only relies on the speed of the news server and the end
user's bandwidth.
As bandwidth price has decreased and capacity increases, many are finding the
old qualities of Usenet are more relevant today than ever before. When online
movies first started appearing, they were typically the size of a CD between
600 and 750 megabytes. Although advances in compression technology have yielded
fantastic quality for such small files, the demand for considerably larger DVD
sized files (anywhere up to 9.5 gigabytes) has reinvigorated the importance of
Usenet for large file distribution. BitTorrent may be fast, but it's dependent
on the upload ratio of the end user and the quality of swarm. A defect in any
attribute of this connection could lead to considerable delays, and a download
that takes days to complete.
As stated earlier, Usenet's speed is as fast as the end user's Internet
connection speed. If the individual has a high quality 10 Megabit Cable
connection, there's little in the way to stop this individual from maxing his or
her connection and obtaining a massive file in less than an hour. As news breaks
that HD DVD's encryption has been circumvented, and the anticipation for even
more massive 30 gigabyte files builds, as it stands now Usenet is the only
likely source that will be able to accommodate this imminent demand.
File Availability Usenet Advantage
While the rest of the world debates whether DRM (Digital Rights Management)
is the grandest solution or the epitome of evil, many file-sharers simply don't
care one way or another. And why should they? The obvious availability of files
online (formerly DRMed or not) clearly indicates for all practical purposes, DRM
might as well not even exist. Thus, the question now becomes which network is
the prime source for files.
This question is much easier to ask than it is to answer. Each network over
time generates its own specialty; eDonkey2000 is well known for TV shows,
Gnutella is favorable for a quick MP3, and BitTorrent is exceedingly well
designed for large files. But where does most of this material come
from?
The first movies and MP3s first appeared on Usenet before Napster ever
existed. To this day, a vast majority of content from top site providers filters
down to Usenet first, then trickles its way to the P2P community. This is the
way online distribution works, and there's no indication that it will change any
time soon.
BitTorrent does have an advantage when it comes to creative commons or public
domain content. BitTorrent, Inc. has been working extensively to create a market
for this type of material, and has dedicated a significant portion of energy to
carve this niche into BitTorrent.com. Many individuals crave this type of
content, and BitTorrent definitely has an advantage over Usenet for distributing
this genre of material.
In terms of overall file availability, Usenet has a clear advantage over
BitTorrent. It should be noted however that Usenet content has a definite
lifespan once it's uploaded. Content on Usenet is limited by the news server's
retention or the amount of time a files is kept on a news server. Because of
the vast size of Usenet material, most news servers generally have 30 day
retention so material is limited by time. However this appears to be only a
small inconvenience, as material is reposted after a certain amount of
time.
Additionally, a growing amount of news servers are increasing their retention
time, with some keeping content on their servers for up to 90 days. As hardware
capacities increase and prices fall, retention should become less of a concern
as well.
Conversely, BitTorrent is only limited by the amount of peers that are
seeding a particular file. Theoretically, a file can exist indefinitely on
BitTorrent, providing the seeding parties continue to exist. In this respect,
BitTorrent has an advantage over Usenet.
Another aspect of file availability is the ability to provide a file on
demand. As BitTorrent relies on the availability of peers, many find that a file
will take considerably longer to obtain than Usenet. The exception to this is
generally revolves around more popular files, as the increased number of peers
will lead to a much faster download. However as this aspect of Usenet is only
limited by retention, most desired files can be obtained on demand and with
little delay.
Population Decisive BitTorrent Advantage
It's rather clear that no one knows the specific population of the
file-sharing community. Such a venture was much easier before the days of
end-to-end encryption, decentralization, and other techniques used to disguise
P2P traffic. Although the official position of BitTorrent, Inc. is against
end-to-end encryption, most relevant BitTorrent clients use this technology with
generally favorable results. Usenet providers such as Giganews also provide
end-to-end encryption as well.
This leads to a quandary when trying to evaluate the file-sharing population.
According to BigChampagne's studies, it's generally agreed that the P2P
population excluding BitTorrent is approximately 9.5 million individuals at any
given moment. By gauging the size of the DHT (Distributed Hash Table) network
overlay that coexists with BitTorrent, it's generally calculated that BitTorrent
has approximately 3-5 million individuals online. It should be noted this is a
conservative measurement, as a measure of the DHT network overlay doesn't
include every client and is not indicative of the entire community.
While gauging BitTorrent presents its own set of problems, Usenet is even
more difficult to calculate. However it's clear that Usenet is a growing aspect
of the file-sharing landscape, as evidenced by the popularity of indexing sites
such as Newzbin and the growing discussion of such distribution within
file-sharing forums. To give some insight into Usenet's population,
UsenetServer.com calculates approximately 40,000 unique individuals are
connected to their servers at any given moment. This number represents just one
server among a sea of many.
Technology - BitTorrent Advantage
There are two categories Slyck is using for this article Decisive
Advantage and simply Advantage. If this article was written three years ago,
the subtopic for this portion would probably read Decisive BitTorrent
Advantage. However times have changed and Usenet is not longer the sleepy
technological backwater it once was.
This is not to detract from the astounding technological breakthrough that
BitTorrent represents. It is a highly efficient and well-engineered piece of
technology that exceeds in the efficient transfer of large files. Let's examine
this concept a bit further.
In this example, we will assume an individual has created a piece of musical
work and several music videos. The cost of hosting these files on a dedicated
server is rather expensive as the total compilation exceeds 1 gigabyte. The
expense is rather variable, however even text-based website administrators know
that hosting a high traffic site can cost many hundreds of dollars per month for
a quality connection. Couple a high traffic site with the large bandwidth
consumption of music files and videos, and the price may be simply too much for
the amateur musician to cope with.
There is a solution, and BitTorrent provides the answer. Instead of taking on
the bandwidth responsibility by him or herself, the amateur musician can instead
easily set up a tracker or upload a torrent file to any one of the many
tracking sites available. Initially, the musician will have some bandwidth
responsibility in terms of seeding the file onto the network. However this
responsibility should wane once the file is spread into the wild and others take
on such responsibilities. The musician only has to provide a miniscule torrent
file which only contains the metadata necessary for the end user to obtain the
desired file.
In this respect, BitTorrent provides a superior technology for the end user
to distribute information online. Usenet could theoretically be used as well,
however this may not be practical as BitTorrent is better known, and as written
below, easier to use.
Simplicity BitTorrent Advantage
In the last section we discussed how Usenet was no longer the technological
backwater it once was. As the popularity of Usenet has increased, so has its
rate of development.
Back in the day, Usenet was used for the sole purpose of discussion. Much
like community forums, people would gather under different topics and discuss
anything from computers, autos, home improvement, and so on. Usenet was not
designed to distribute large files; however a loophole was soon discovered and
exploited.
This loophole is encoding files as text thereby defeating the text-only
attribute of Usenet. Most news servers limit the size of file segments as well -
generally anything over 10,000 lines of text cannot be uploaded. This problem
was resolved by breaking a large, say 600 megabyte file, into smaller 20
megabyte files (known as archives.)
However there was the potential for major problems, as file segments would
either sometimes not make it to the news server or were perhaps corrupted.
Either way, the result rendered the entire archive useless. This was resolved by
the creation of PAR files. Par files accompany the uploaded archive, and act to
repair any files damaged or missing. They have been heralded as one of God's
gifts to the Newsgroups and have largely resolved the problem of corrupt or
otherwise compromised files.
Another more recent stride in Usenet technology is the concept of indexing
sites. An idea borrowed from P2P, indexing sites provide a streamlined avenue to
the desired file. With the inception of indexing sites, the end user no longer
had to sift through endless newsgroups trying to find the desired file a
process that could take hours. Like P2P, it's a simple matter of searching or
browsing for the desired file. This concept is facilitated by the use of NZB
files, a Usenet technological achievement in its own right. Although radically
different, the concept is analogous to torrent files or eDonkey2000 hash links.
The NZB file contains all the pertinent information necessary for the client to
find and download the required file all without spending considerable time
navigating the network.
While Usenet has made technological strides recently, BitTorrent is still an
easier protocol to navigate. Much like P2P networks of old, all that is required
for the BitTorrent user is to point, click, and watch the desired file trickle
in.
Currently, it's not that easy with Usenet. Although the searching and
downloading portion may be very similar, there's still one more step that needs
to be completed. As news servers limit the size of the file segments, the
downloaded archive can be contain many dozens of files typically in the RAR
format. Once the archive is downloaded, the end user must then reassemble the
archive. What may seem like a minor inconvenience to Internet veterans is a
surprisingly insurmountable task for a decent portion of netizens, and perhaps
is the last stumbling block to widespread Usenet adoption.
Usenet clients have become almost as simple as P2P clients; however
BitTorrent still has a clear lead in terms of simplicity. It appeals readily to
mainstream users and is more easily embraced by the general public.
Privacy Decisive Usenet Advantage
A major concern for many file-sharers is security. With the IFPI
(International Federation of the Phonographic Industry) promising to conduct
1,000 copyright enforcement actions per month, and the RIAA (Recording Industry
Association of America) having already sued almost 20,000 individuals, retaining
one's privacy is an understandable concern.
To understand how people become a copyright enforcement statistic is to
understand why Usenet has the undisputed advantage over BitTorrent or any
other P2P network. Virtually every instance an individual has been sued has been
the result of sharing material online - otherwise known as uploading. BitTorrent
depends on uploading for its very survival, Usenet does not.
Unlike P2P networking, Usenet does not encourage or otherwise recommend that
its userbase upload any material. There are established responsibilities within
the Usenet hierarchy those who provide and those who download. This is the way
Usenet has functioned since for it's nearly 30 year history, and shows no signs
of deterioration. For now, as no one has been sued for merely downloading
material, Usenet is far and away the most secure way to obtain information
online.
It should also be noted that most Usenet clients and servers support
end-to-end encryption, which adds an additional layer of security.
Price Decisive BitTorrent Advantage
Usenet access can be a bit pricey for those on a shoe-string budget. News
server access can run anywhere from $15.00 a month to more than $30.00 depending
on the type of service. Additionally, an indexing service such as Newzbin.com
generally runs about $2.00 for about 6 weeks of service. After all is said, the
average Usenet citizen is likely spending around $20.00 per month for
service.
For now, BitTorrent is absolutely free. There is no price tag attached to the
clients, the trackers, the indexers or any other legitimate resource. As a free
service, BitTorrent has a clear advantage over Usenet for those unable or
unwilling to spend money. This typically appeals to teenagers, college students
and recent graduates who have yet to accumulate disposable income.
Conclusion Decisive Usenet Victory
Throughout the modern history of P2P, many networks have come and gone. Some
networks achieve stunning success, like Napster, FastTrack, WinMX, AudioGalaxy,
eDonkey2000, and BitTorrent. There's an old saying that no empire lasts forever,
and neither does the holder of the P2P crown. As Usenet continues to evolve and
its clear advantages delineate themselves to the mainstream public, it's very
possible that in the near future, file-sharing may end up where it all
began...with Usenet.
http://www.p2pnet.net/story/10964
It was only a matter of time. The U.S. Supreme Court created a cause against
file sharing developers for "active inducement." That was used for the basis of
the recording industry suing the top developers for abetting copyright
infringement. Now it's being used
by the individuals who have been sued by RIAA.
The lawsuits includes the
following claims.
> Kazaa deceptively marketed its product as allowing
"free" downloads.
> Kazaa designed the software to create a shared files
folder and make that folder available to anyone using Kazaa, while at the same
time failing to make the user aware that it had done so.
> Kazaa installed
spyware on users' computers that made the shared files folder accessible to the
Kazaa network even after the user had removed the Kazaa software
http://www.p2p-weblog.com/50226711/sued_p2p_users_sue_kazaa.php
Escape Media Group, LLC today announced Grooveshark, a new peer-to-peer (P2P)
music-sharing community that will compensate both copyright holders and members
who participate in the community.
Grooveshark combines the best of P2P file sharing and online music purchase
sites into one service at http://www.grooveshark.com/. Visitors can browse songs uploaded by
other members and pay to download MP3 files with no digital rights management
(DRM) technology. Songs vary in price, but cost no more than 99 cents.
Grooveshark will pay appropriate royalties to copyright holders by taking
commissions from users' transactions and also compensate users with free music
for community participation such as uploading songs, fixing song tags, flagging
unwanted files or reviewing music. Members will be rewarded based on their level
of contribution to the community.
"Our bottom line is value. By bringing the convenience and selection of a
peer-to-peer network together with the recommendation power of a community of
friends -- all the while removing DRM -- we can generate revenue to compensate
both copyright holders and users," said Sam Tarantino, 20-year-old founder and
CEO of Escape Media Group, the parent company of Grooveshark.
Because all Grooveshark files are DRM-free MP3s, they can be played on any
computer or digital music player, so users no longer risk losing the ability to
play songs in their collection if they change their computer or player.
Grooveshark will function much like popular P2P file exchanges. Members can
offer their media library for sale through Grooveshark and discover and share
new music with other members (only MP3 or OGG files without DRM). The
difference: Grooveshark will broker music transactions by charging up to 99
cents for each song downloaded and use those proceeds to pay royalties to the
copyright holders and reward members for community participation.
"Much of the success of P2P networks can be amplified by a community aspect
-- allowing users to find someone with similar musical tastes and sample songs
from their collection to find new artists or rare and unique songs and genres,"
said Tarantino. "By harnessing the power of user-generated content, Grooveshark
can bring together online community elements, compensate artists and users and
provide customers with control over their music by eliminating unfair DRM
schemes," he added.
Grooveshark expects to begin beta testing during the first quarter of 2007.
For more information, or to be notified when the beta version is available,
visit http://www.grooveshark.com/.
About Grooveshark
Grooveshark, a peer-to-peer (P2P) music file-sharing community that brokers
music transactions between members, is a service of Escape Media Group, LLC. By
charging for the songs exchanged between members on their site, Grooveshark will
compensate copyright holders and users while providing the convenience and
selection of P2P file sharing in an online music community. All Grooveshark
files are free of digital rights management (DRM) technology, allowing users to
play the songs they purchase on any type of computer or digital music player.
For more information, visit http://www.escapemg.com/.
http://sev.prnewswire.com/computer-electronics/20070109/LATU03009012007-1.html
Les producteurs de musique maintiennent leur logique
répressive
Société
Un déjeuner avec Pascal Nègre est toujours un moment truculent: la
petite réunion d'avant-Midem organisée par la SCPP (Société civile des
producteurs phonographiques), qu'il préside, n'a pas échappé à la règle. En
grande forme, le patron d'Universal Music est revenu, à coups de petites phrases
bien senties, sur les événements de l'année 2006.
Et le discours n'évolue guère d'une année à l'autre: «Tant que cela
sera très facile de télécharger un titre gratuitement sans aucun risque, il y
aura toujours un problème». À l'entendre, les ventes de CD continuent à baisser,
sans être compensées par les ventes en ligne, à cause des pirates. Pourtant
«nous avons mis à disposition [des plates-formes légales] tous nos catalogues».
Mais rien n'y fait, martèle Nègre, il faut s'en prendre à la source du mal, le
pirate. «Pas avec de la prison, bien sûr, mais avec des amendes.»
Pourtant, les producteurs disposent d'un nouvel arsenal pour défendre
leur droit face à la contrefaçon: la loi Dadvsi, qui a accaparé une grande partie du calendrier
parlementaire en 2006. Un texte que de nombreux observateurs estiment être
grandement en faveur des ayants droit que sont les producteurs de musique. Toutefois, rappelle Pascal Nègre,
il a fallu attendre six mois pour que paraisse le premier décret, et l'on attend encore celui
instituant l'Autorité de régulation des mesures techniques.
De plus le texte n'a pas instauré de riposte graduée, qui aurait permis
aux ayants droit de faire parvenir automatiquement aux pirates pris sur le fait,
des messages d'avertissement, et de mettre en place une gradation des sanctions,
poursuit le patron d'Universal. Les autres tentatives des producteurs en matière
d'envois automatisés sont pour l'instant bloquées par la Cnil (commission nationale de l'informatique et des
libertés), qui a refusé de donner son aval à un projet de «radar automatique»
installé sur les réseaux peer-to-peer. C'est le Conseil d'Etat qui devra
trancher cette affaire courant 2007.
Des serveurs EDonkey fermés
Mais la SCPP n'est pas privée de tout moyen de répression: pour preuve
la dizaine de condamnations qu'elle a obtenue depuis septembre 2006, contre des
internautes accusés de télécharger et de mettre illégalement des fichiers
musicaux à dispostion. Avec, à chaque fois, une amende et des dommages et
intérêts de plusieurs centaines ou milliers d'euros à payer à la
SCPP.
La dernière décision en date, celle du tribunal de Bobigny, qui a relaxé un internaute pour vice de procédure, n'inquiète pas
outre mesure la société. Elle affirme que ses relevés d'infraction ont déjà tous
été validés par la justice,
et qu'ils ne nécessitent pas d'autorisation spéciale de la Cnil, garantit Marc
Guez, le directeur général de la SCPP.
Par ailleurs, elle continue à réclamer environ une dizaine de coupures
d'accès internet chaque
mois.
L'organisme vient également d'envoyer 29 mises en demeure à des
personnes exploitant en France des serveurs sur les réseaux peer-to-peer EDonkey
et DirectConnect. Ces serveurs permettaient de faire transiter «plus de 23
millions de fichiers contrefaits», affirme la SCPP. Elle exigeait de leur
propriétaire un filtrage, mais seize d'entre eux, ont préféré mettre la clé sous
la porte.
L'objectif, avec cette démarche, est clair: «Em... bêter au maximum
ceux qui téléchargent illégalement», sourit Pascal Nègre. Car même si les
serveurs sont transférés à l'étranger, cela ralentira les téléchargements en
France, poursuit Marc Guez.
Dernière initiative, dont le résultat est certainement plus aléatoire:
la SCPP a porté plainte contre les sociétés russes Media Services et X-Media
Limited, qui exploitent les sites Allofmp3.com et Mp3Sugar.com. Ce sont des
sites de téléchargement payant, qui proposent titres et albums à prix cassés,
sans aucune autorisation des ayants droit. La plainte a été déposée devant le
tribunal de grande instance de Nanterre et transmise en Russie.
http://fr.news.yahoo.com/11012007/7/les-producteurs-de-musique-maintiennent-leur-logique-repressive.html
Universal lance un site de téléchargement de musique
classique
Universal Music, la première maison de disques du monde, a lancé en Grande-Bretagne ce qu'il présente
comme le plus important site en ligne pour la musique classique et le jazz, afin de
répondre à la demande grandissante pour le téléchargement numérique.
"Nous nous attendons à des ventes relativement modestes dans un premier temps
mais la contribution du site devrait être positive sur l'activité au troisième
ou au quatrième trimestre, a déclaré mercredi Mark Wilkinson, directeur
marketing de la division musique
classique et jazz d'Universal.
"Je pense que le marché du téléchargement numérique ne peut que croître, et à
mesure que la génération de l'iPod d'Apple grandit, elle découvre la musique classique", a-t-il ajouté.
Le site d'Universal Music, accessible à l'adresse www.classicsandjazz.co.uk,
propose pour le moment plus de 100.000 morceaux de musique classique ou de jazz et environ
8.000 albums.
Le label espère accroître son offre de 1.500 titres par mois. Les morceaux,
au format WMA (Windows
Media Audio), utilisent le système de gestion des droits numériques (DRM) de
Microsoft et sont proposés au téléchargement à partir de 0,79 livre l'unité
(1,18 euro), un prix comparable à celui des principaux sites de ventes en ligne.
Le lancement du nouveau site coïncide avec la publication des meilleurs
résultats annuels de la maison de disques en termes de ventes de musique classique et de jazz.
Selon Universal, 60% des consommateurs britanniques de plus de 50 ans
disposent d'une connexion internet et 35% ont un accès à
haut débit.
La filiale de Vivendi, qui espère lancer des sites similaires dans le reste
de l'Europe, proposera à terme également de la vidéo, des longs métrages d'opéra
et de ballet, ainsi que des pochettes d'album en haute définition.
http://fr.news.yahoo.com/11012007/290/universal-lance-un-site-de-telechargement-de-musique-classique.html
La rémunération pour copie privée attaquée en
justice
Le Simavelec (Syndicat des Industries de Matériels AudioVisuels
ELECtroniques), qui regroupe les principaux constructeurs de décodeurs
numériques, lecteurs MP3, chaîne hi-fi, etc. vient d'attaquer l'une des
dernières décisions de la commission d'Albis. Celle-ci, chargée de régenter le
domaine de la rémunération pour copie privée, avait modifié l'assiette de la
ponction pour impliquer les disques de haute capacité (notre
actualité et les
barèmes).
Or le Simavelec, avait dès
l'origine trouvé la démarche peu opportune : alors que la rémunération pour
copie privée trouve son fondement dans le dédommagement des ayants droit pour
fait de copie privée, on ne peut constater de dommage lorsque l'utilisateur
copie des données personnelles. Il faudrait ainsi se fier à la réalité de
terrain.
Que montrent les usages effectifs ? D'une part que les habitudes de
consommation ne changent pas ou peu, d'autre part, que la part de la « taxe »
dans le prix des produits prend de plus en plus d'importance, en étant calculée
sur les capacités.
Selon le Simavelec, qui n'est pas opposé aux DRM, la logique même de la
ponction pour copie privée devrait se baser sur les usages réels, et non plus
sur cette base forfaitaire aveugle. Dans une
étude publiée début 2006, il avait ainsi montré sans mal que tous les
utilisateurs ne garnissent pas leurs disques durs
de données protégées, mais que du contenu personnel (des photos, des textes,
etc.) y était aussi stocké. Reste qu'en pratique, la mise en place de cette
ponction basée sur l'usage n'est pas simple.
Le débat fut le même lors de la création de la rémunération pour copie
privée, à l'encontre des CD-R/Rw mais avec une situation économique bien plus
épineuse. « Les montants en cause pour l'électronique grand public
pourraient avoisiner les 100 millions d'euros très rapidement, et ceci,
répétons-le, sans que les comportements de copie (dans le cadre privé) ne se
modifient en profondeur (l'homme n'a toujours que deux oreilles et 24 heures de
temps par jour) » exprimait
le Syndicat.
http://fr.news.yahoo.com/11012007/308/la-remuneration-pour-copie-privee-attaquee-en-justice.html
http://techno.branchez-vous.com/actu/07-01/11-133704.html
Publié par Reuther à 00:47:45 dans Actu P2P | Commentaires (0) | Permaliens
Commentaire